The Lakes

OUTWARDS FROM HOME

..looking back, perhaps the greatest liberating factor lay in the fact that I was forced, to get out into the city [...] and look at it with fresh eyes. Every city has its own surges of life, its patterns of movement, and no amount of office-bound mapping and statistical compilation can convey the vital insights that direct knowledge of this kind can provide.

Kenneth Watts, Outwards from Home, 1997

Outwards From Home is born from Leighton’s recent travels to Hong Kong, Macau, Dubai and Tokyo. The exhibition title, Outwards From Home, is borrowed from a book written by the artist’s grandfather Kenneth Watts, which recounts the phenomenon of urbanization in Britain and Asia against a backdrop of change in the global, political and economic climate. Watts draws on almost half a century’s experience with the United Nations Development Programmes to make a strong plea for the organization. As a personal odyssey, it reflects encounters with men and women throughout the world. Leighton’s new works hold a similar resonance, moving seamlessly between global commentary, an individual’s path through the city, and by way of a homage to his grandfather, his own personal ancestry – he looks outwards and returns to home.

Following in his grandfather’s footsteps, Leighton reopens the symbiotic terrain of architecture and society. He plays the big Other: like the gigantic vertical zoos born by his creation, he casts a magisterial eye over the events taking place below.

Leighton’s recent works extract from the shocking rapidity of urban development; steps beyond urbanization towards super-urbanization, from globalization to hyper-globalization. They form an artistic spin on Foucauldian surveillance and technological euphoria; technology’s shared capacity for human emancipation and the threat that it could one day supersede human control. Leighton revels in the freedom from physical and practical restraints while paying tribute to the great minds that develop functioning super structures, the evermore gravity defying architecture of the world. In his astounding new compositions, surface is negotiated with an engineer’s touch. Digitally created, fictional environments are populated by opulent forms and functional features; nationally honoured landmarks feature alongside everyday town planning; advertising boards glisten above converging highways. Exploring the diversity of Asian architecture in concept and design, Leighton positions iconic features in close proximity while calling upon colour and form to render the most sublime, kaleidoscopic distortions. Vision is destabilized with images that are simultaneously symmetrical and off-balance. The futuristic is fused with exquisite historical details, geographically - disparate monuments are positioned alongside one another, transforming recognisable cities into timeless non-sites. In the manner of all great architects, Leighton instils the fantastic and abstract with concrete existence.